When you search, I recommend that you search “All” first. Say that you at least recognize someone in the film and you’re aware of the title of another film they’re in.

It may be possible to find what you’re looking for even if you don’t know any direct facts about the movie you’re trying to find.

The Year (or Decade) the film was released.Name of the Company that released the film.Name of any of the Actors or Actresses no matter how big or small their role was.Collins - a playwright, a professor and one of the first black American women to direct a feature-length movie - was only 46 when she died in 1988 from cancer.Before you can begin your search, you’ll need to at least have some piece of information that links to the film or whatever else you’re trying to find. “I’m a genuine success,” he enthuses, “your husband is a genuine black success!” Identity - aesthetic, racial, sexual - is among the themes that wend through this film, which follows Sara as she sets off to intellectually understand ecstasy while contending with her husband’s restlessness (and ego), seeking a space of her own and appearing in a student movie that riffs on “Frankie and Johnny.” Ms. Soon after the movie opens, Victor shares that one of his paintings has been bought by a museum. “Real magic.” A philosopher professor, Sara (Seret Scott), lives with her husband, Victor (Bill Gunn), in a loft dominated by his large canvases. Torriano Berry is part of a larger effort to restore black film history in its fullness. The restoration of “Hell-Bound Train” by S. Nearly everyone here may be headed straight to hell, but most look as if they’re having a swell time getting there. resourcefulness that’s especially memorable for how it balances heavy-handed moralism with homespun surrealism and quotidian life. “But at the point of death.” Produced for a pittance, the film is a fascinating example of D.I.Y. “It may bring happiness to you through life,” the film cautions. Drinkers dance and carouse in one car elsewhere a jazz lover risks her soul.

Each train car reveals another sin, and increasingly takes the story into the greater world. Divided into vignettes punctuated by intertitles, it turns on the Devil - a masked figure with horns and a cape - driving a train teeming with wickedness. This jaw-dropping specialty item was one of the films that the Gists, married evangelists, made as part of their ministry.

Movie title 1985 black and white 1